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Welcome!
Welcome to Lost-TV, the first unofficial fansite for the hit ABC drama series Lost. The show, created by JJ Abrams (Alias) and Damon Lindelof, premiered 22 September 2004 and will return to our screens every Thursday nights at 9pm Eastern/Pacific and 8pm Central beginning January 31, 2008. The site itself was launched on 20 March 2004, even before the series was picked up. To contact the webmaster, send an email to webmaster@lost-tv.com.

Announcements and Exclusives
LOST (Finally) Returns Thursdays at 9:00 p.m., ET on Thursday, January 31
Lost returns to our screens with its anticipated (strike-shortened) fourth season on Thursday, January 31, 2008 at 9:00 pm ET! The show returns with eight all-new episodes airing without reruns.

The Complete Third Season of LOST Now Available on Amazon.com!
The Complete Third Season DVD set of Lost has been released on December 11, 2007! The 7-disc DVD box set is packed with special features, including an exclusive behind-the scene look at 24 hours in the life of this series, and hints to the significance of the show's literary references. For more information about the discs and the special features, check out TVShowsOnDVD.com. The set is available for ordering at Amazon.com.

News and Updates
Tuesday, September 14, 2004
It's Not About the Dinosaur: The EXCLUSIVE Damon Lindelof Interview (Part Two) 
   (Apologies for the delay. I've just been really busy. If you want to read the first part of the interview, read this.)
   Strangely enough Xander hasn’t even seen the pilot. He was offered the pirated version but his computer won’t let him play VCDs.
   "I'm proud of you!" Damon said, when he found that out. Of course when "Lost" officially premieres on September 22, hopefully Xander will have upgraded his computer.
   In a previous interview with Bryan Burk, Bryan told Lost-TV that the internet was a blessing AND a curse. Yes, the bootleg version making the rounds raised interest, but no that's not what exactly you're going to see when the show premieres.
   (Note to self: tape the pilot when aired and compare the two).
   We wondered what the time line was for the characters. How much time elapsed during each episode?
   "The first season is the first 40 days on the island," Damon replied. "Every episode begins the day after the episode before it ended so we see everything that is happening. We don't go away and come back three weeks later and find they've built a village. It means we (the writing staff) have to put our heads to together to put together a story arc for the characters. They need food, they need water, they'll explore the island and get to know each other.
   "Every episode is about one character (since the cast is so huge) and it will tell you the story of their past before the crash in flashbacks. Every episode starts with the idea that this will be Kate's episode or Jack's episode. This will be Charlie's episode (NOTE: That will be Episode #5) and it will connect to whatever it happening on the island at the time and goes from there. Ideas come from a billion different places. There is no specific writing hierarchy. J Jand I are the creators of the show but that doesn't mean that we create every episodic concept."
   Forty days? Was that coincidental? It does seem to rain a lot for no apparent reason on the island. We asked the obvious question: was the biblical reference intentional? Damon's answer was immediate.
   "That was NOT unintentional," he said with a hint of glee in his voice.
   Most of the fans know that Lost is currently filming eleven episodes. A season is typically 22 episodes. So where does that leave the rest of the season? Will we see the 40 days and 40 nights in those 13 episodes (two-hour pilot plus the other eleven)?
   "The 13 episodes will be roughly the first 20 days," Damon told us. "Each episode is roughly 48 hours. But we are anticipating being picked up."
   We were particularly interested in the "mix" of survivors on the island. What lead to this diversity in age and ethnicity?
   "The diversity was deliberate," Damon said. "This is an international flight originating in Australia. It's going to Los Angeles, and it's an American TV show, so the majority of characters are going to be American. This is also a possibility to have something more than a diverse cast with all ages, and religions. If half the case is white, then half the cast should be non-white. Like Star Trek with Vulcans and humans... to say that the color of your skin is not relevant is ridiculous. To say that racism in American doesn't exist is absolutely ridiculous. But on the Island, the color of your skin in completely irrelevant and so are all those things about how much money you have or what your race is or what your religion is or what you've done in the past. That life is over. You're not going back to it. We wanted characters from different backgrounds. That was an extremely deliberate action. For every single character, including Jack and Kate, we chose the best actor regardless of skin color."
   As a result, Damon went on to say, after Harold Perrineau was cast as the African American father, the search went out for African American kids, and the result was the very talented Malcolm David Kelley.
   Then of course there are the extras. The expendable people. "Red shirts" in Star Trek lingo. You know, the security guys in landing parties who were offed at frighteningly regular intervals.
   Damon and the lads refer to them as "meat socks."
   "That's what's great about Lost," he said. "One of our regular characters can go out on an expedition with two people you haven't seen, then the regular gets killed, the other two come back and now they're regulars, so we certainly want to keep the audience guessing. There is a reason that in addition to the 14 regulars there are 33 other characters who survived the crash. They're not just monster food."
   Regulars get killed? Oh no, Mr. Bill!
   And speaking of groups, what about group psychology? What about the sociology of this whole "experiment"?
   "We talk about that a lot," said Damon. "I minored in sociology in college and a couple of the other writers have a background in sociology. You talk about things like the Stanford Prison Experiment (Ed. Note: Conducted at Stanford University in Palo Alto California, this project sought to answer the question: What happens when you put good people in an evil place? Does humanity win over evil, or does evil triumph? These are some of the questions posed in a simulation of prison life conducted in the summer of 1971.) But at the end of the day, there has never been an experiment done about a group of people surviving on an island for a protracted period of time.
   "The reality is we don't know what would happen. All we can do is extrapolate based on who they are as characters and what would happen. We also looked at political formation in terms of what would emerge in the very early stages of them being on the island would be some sort of communism: We're all going to pool our resources, we'll share our food and water. But then human nature begins to exert itself and individuals say, 'Well, I'm the one out there who's hunting the boar, why should all of you guys get to eat it when I go to bed hungry every night?' Then that person who has the ability to hunt the boar becomes a powerful person. We start with communism, and then it evolves into a dictatorship. Then the dictatorship is overthrown or becomes so strong that it breaks off from the initial group, and you have a couple different societies and maybe one of them evolves into a democracy that elects its leaders. But at the end of the day, episodically, we're talking about what are the seeds of that. The reality is that the week after a plane crash, you're not going to have people sitting down electing their leaders. They're still trying to figure out how to get off the island and how to survive so the society formation issues, while they begin to color the ethical debates the castaways are having with each other, don't begin to manifest themselves in any real way until much later on."
   Well, this is an election year. This reporter knows who SHE would vote for.
   Of course by this time, quite a few people have seen Lost. Not only via the internet, but test screenings, cable channels, Comic Con and since this interview, the Sunset on the Beach premiere. This has generated a lot of positive buzz, not just from audiences, but from critics as well. Did JJ and Damon expect this?
   "It's exciting and flattering but at the end of the day we're writers and we'll always remember the one person who hated the show rather than the 99 who like it but it's exciting. One of the things about JJ is that he has an amazing talent and reputation and associated with projects that have a high expectation. I'll get excited about seeing a movie and hold it to a much higher standard because I am a fan of the filmmakers. The fact that Lost is being received well... that's exciting and encouraging."
   And it's no secret that ABC is trailing in the ratings game. Could this show save the network?
   Much like wishing a stage actor "good luck" (rather than "break a leg"), Damon, while pleased, was still wary of THAT idea.
   "It's a question no one can answer til the date the show airs," he said. "Like when I was writing on Nash Bridges, The Fugitive was the show that had all the buzz. It was going to be a BIG deal and a little show called CSI was going to be on after The Fugitive. Nobody was talking about CSI at all. Well, the first night came and went and no-one was watching The Fugitive, but 3 years later, everyone is watching CSI. I'd rather not have the buzz. People are looking at you to save the network. Buzz creates high expectations. There is nowhere to go but down."
   And then Damon had a question of his own for Xander. "It’s amazing that you have gone to such lengths to set up such a well thought out site and you haven't seen the pilot yet. What do you know about the show?"
   Xander explained he was a huge fan of Lord of the Rings and Alias and seeing Dominic Monaghan attached to the Lost project was very exciting.
   "Dominic is an amazing guy and an incredibly talented actor and we're lucky to have him," Damon said fondly.
   Damon admitted he wasn't aware of any other Lost fansites, except one or two in French. He became aware of Lost-TV when Ian Somerhalder told him during the first week of filming. At first he thought it was a joke, until he got a look at it.
   And now one of the big questions (but not THE BIG question): What is that thing in the bushes? We know it's not a dinosaur. Was it always NOT a dinosaur?
   "JJ and I have always known what it was and we're VERY discriminating about who we tell, because that's one of the biggest secrets of the show. We know from the beginning it wasn't a dinosaur. If the network ever said anything about it to us it was more on the order of, 'Please tell us it's not a dinosaur.' And we're like, 'Ok, it's NOT a dinosaur!'
   "Because of Jurassic Park or Land of the Lost, that's what people expect to be on a mysterious island," Damon explained. "I think you'll find that what that thing is not a constant presence in every episode. It’s not a TV show about what is that thing in the jungle. It becomes more about the monsters in each other as opposed to the monsters out there And some of the secrets are much darker than others.
   "People have been there (on the island). There is a transmission that is being transmitted in French, from somewhere on the island, repeating on a loop for 16 years and this keys into this idea, asking the audience, what do YOU think this is? Where might it be? Who might have left it? Why did they come here in the first place? Are they still here? Are they stranded? What is the content of that message? The word 'mythology' is used alongside a show like the The X-Files which is built on the mythology that his Mulder's sister is abducted and that is the beginning of his obsession with extra terrestrials and his search for the answers and every couple of weeks they would service that mythology but eventually that was all the show was about anymore."
   So the question becomes, how do you maintain the level of tension without exhausting the audience? If they move from crises to crises, the audience will wear out. And yet this isn't Gilligan's Island either.
   "That's the trick isn't it? This is not the easiest show in the world to write which tells me that it is something that might actually be good. This is not your typical, 'someone gets killed at the beginning of the episode and we have to find out who did it.' It's not doctors or lawyers or cops. That's what the challenge is."
   And now for THE burning question: We've seen the chicks in bikinis. What about some male eye candy?
   "Yes, I promise," Damon laughed. "You'll get more eye candy that you've bargained for."
   Oh god, we certainly hope so.
   (Later on in the season, Damon promised we could visit with him again so keep those questions coming as the season progresses!)
(11:36 PM)


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